A Little Floral Number (Vogue 8904)

vogue 8904

I should know better than to sew a dress the day of a party. You could write a mathematical proof showing that impulse sewing directly increases your level of stress. But sometimes (who am I kidding, A LOT of the time) your fabric speaks to you.

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You have a serger now it says. I’m¬†a thick, sturdy knit it says. You’ve already sewn this pattern twice it says. And so I listened. I listened and that meant I was sewing on a neckband and finishing sleeves and the hem barely 90 minutes before folks walked through the door for my birthday party.

It wasn’t all so haphazard, though. If I’ve learned anything in three-ish years of sewing, it’s that a little planning goes a long way when it comes to the finished product‚ÄĒand your sanity.¬†Here are some tips for a speedy sew:

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Cut out¬†multiple projects at once.¬†I don’t know how I had the patience to cut out several different projects¬†in¬†one evening, but I did and this ponte double-knit floral¬†dress was one of ’em. If only I’d gotten to sewing it before the morning of the party…

Pick¬†a pattern you’ve already¬†used. I knew this dress would fit without much fuss, as I’ve used Marcy Tilton’s Vogue 8904 pattern four times now. A long sleeveless dress with panels, short sleeveless dress¬†with panels, long sleeveless V-neck hack for Cruella, and now the short version with sleeves and no panels.¬†(I’d link to it but the Vogue site gives a 404 error when you click through‚ÄĒit might be out of print…?!?!)

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Choose a fast sewing method.¬†Sorry French seams and Hong Kong finishes! We’ll meet again some leisurely day. I used my SUPER FAST WONDERFUL serger for¬†most of the construction of this dress and used the sewing machine to anchor the neckband and sew the hems.

Don’t¬†rush the finishing touches. Listen, I know¬†that my hems look better when I use a walking foot. I know it. But I let my pre-hosting jitters cloud my brain into 1). using a regular foot and 2). not busting out the twin needle. I used a ballpoint needle (I’m not INSANE, y’alls) and a zigzag stitch, and my bottom hem turned out a wee bit wavy for my liking. Note to self: Take the extra 3 minutes to attach the walking foot and thread the twin needle. Le sigh.

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Do you have any tips for speedy sewing? I’m all ears. And happy SPRING everybody! I’m embracing it with plenty of pretty florals and ros√© wine. Actually,¬†I drank ros√© most of the¬†winter, too.¬†The gods of booze snobbery¬†will have to pry my ros√© out of my cold, dead hands.

Another Archer Button Up

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When it ain’t broke,¬†why not¬†color block it?!

OR

When it ain’t broke,¬†why not accidentally make a bowling shirt?!

Yes, I think¬†this kind of resembles a bowling shirt. Or something that Zack would wear to seduce Kelly in¬†Saved by the Bell.¬†I did grow up in¬†the ’90s after all.

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Inspired by Grainline Studio’s¬†post about color blocking,¬†I sewed this¬†Archer Button Up with some aptly named light blue¬†and deep blue shirting from Denver Fabrics. It’s my third Archer, and I’m officially declaring this a tried-and-true pattern. I love the boyfriend fit and even the butt ruffle on view B, although this time I opted again for the classic view A, as¬†I was already adding some interest with the kooky color blocking. (Check out that second link for my sizing and modifications.)

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The side angles don’t match up perfectly, but I didn’t care enough to re-cut the pieces.¬†I’d originally planned to do the whole sleeve in deep blue but ran out of fabric, hence the sleeves that look like they’ve been dip-dyed in bleach. I like ’em.

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I finished all the seams with my new serger, which is like a¬†child‚ÄĒone minute it’s acting like an angel and the next it’s throwing a damn hissy fit. I think we just need some more time to bond. I don’t understand its moods or what it likes to eat‚ÄĒyet. (If you’re wondering, I’m having the same problem as the person in this thread, entitled “I’m going to throw my serger out the window.” There are some good tips in there that I haven’t had the time or patience to try yet.¬†I’ll report back on our relationship soon.)

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Anywho,¬†the light blue is much lighter weight¬†than the dark blue, so I pressed those seam allowances toward the darker fabric so they wouldn’t show through (a little tip from Grainline’s tutorial).

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The only thing I might go back and amend is the pocket. I like having just one instead of two (made using the alternate Archer pocket tutorial because I lurrrrve it). I texted a grainy picture of this shirt to my mom the night I made it and she suggested adding some sort of patch/crest to the pocket.

UPDATE: I just googled my last name and apparently we are all Gryffindors?!?! Obviously I am going to find a family crest patch and iron/sew that on. Problem solved.

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Some lovely anti-Rahm graffiti near the Kinzie Industrial Corridor. Happy spring from Chicago!

Do you ever sew extras/accoutrements onto your stuff?

A Classic Clare Coat

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It’s not perfect, and I love it.

And that will be the last apology, or ablogogy, of this post. I’m not going to point out all the imperfections on this coat, because GUESS WHAT¬†it’s wearable¬†and it’s warm and it’s wooly and I made it with my two bare hands! Which were sometimes ragged and bloody from hand-sewing those adorable snaps on for the umpteenth time.

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Exact snap placement is kind of hard, y’all.

I had mighty ambitions to tackle a Burda military coat when Heather over at Closet Case Files released Clare. Clean, simple, classic Clare with a fun twist in the form of a big ol’ collar. I knew I wanted to sew this up in a solid-color¬†wool, so I ordered charcoal, light gray, and red wool-blend swatches from Fabric.com.

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The light gray wool melton blend won out for wearability and lint resistance. It’s not quite as soft as I’d like, but it’s by no means scratchy. Perfectly fine for a first attempt at a wool coat.¬†Plus,¬†the¬†kasha¬†lining¬†is primarily¬†what lies against my skin, and ohhhh is it creamy. Kasha is¬†smooth-as-silk satin with a flannel backing. I picked this black kasha up from Vogue Fabrics in Evanston.

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I know: gray coating¬†and black lining¬†is¬†venturing into the boring realm. That’s why I obviously had to go a little CrAzY with the bar tacks, hanging loop, and Pantone-inspired topstitching.

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let’s just call it rose quartz and serenity, OK?!!

I made a muslin with fleece, which I now realize was probably not the best choice as it’s pretty forgiving. I cut out my coat fabric in a straight size 10, adding length to the body and arms‚ÄĒthe usual for me.¬†I followed along with pattern directions and the Clare Coat sew along, which was especially helpful when it came to bagging the lining.

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I have a pretty broad back, so I added width to the back sleeve and center back per the suggestions in the fitting post in the sew along. That meant adding width to the collar and neckline. The collar turned out pretty large in circumference because I also let out the raglan sleeve seams when I realized that the sleeves were a little too tight.

The sleeves fit fine now, but I think they’re drafted pretty slim. I personally like the streamlined look, but you might want to add inches if you want to wear a bulky sweater underneath.

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Taking out the sleeves¬†meant adding yet more width to the collar. Blah, blah, blah‚ÄĒnot perfect, but still cute!

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I took my time with Clare. She was quite the journey, from choosing fabric to using a clapper to press wool for the first time to sewing on those daggone snaps. And FYI if¬†you’re a Northerner like me, the combination of wool and warm kasha is suitable for mid 30¬ļs F and above.

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To me, Clare personified is a wizened old Irish woman, darning socks next to a fire as she downs pint after pint of Guinness. I like her.

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Do you personify your outerwear, too?