Waste not, want not. It’s rare for me to have enough leftover fabric to sew a second garment. Nowadays, I scour pattern labels and try to buy only what I need. I bought these black and printed linen blends to make a Hannah Dress. That’s it. When it turned out I had enough to make another Tessuti Ruby Top, I was thrilled.
Remember when cutaway necklines starting cropping up a few years ago? I’ve always liked the look, but the bra situation can be dire. Standard bras are out, since the straps peek out in both the front and the back. I avoid strapless bras like the plague unless one is absolutely necessary. For now, I settled on pairing this top with a racerback bralette bought from Gap Body god only knows when.
Bra-talk aside, I am thoroughly pleased with this pattern: the Ruby Dress/Top from Tessuti Fabrics. This is the second Tessuti pattern I’ve sewn—the first being the Mandy Boat Tee. The directions were yet again straightforward and easy to follow, and the cut of the pattern is modern and flattering, probably on a variety of shapes. Here are the deets:
Fabric: mustard linen blend from JoAnn fabrics; leftover dark-gray linen for the binding
Size: cut an AU size 10. The units are in cm, so a 10 roughly corresponds to 35.8″-31″-39.8″ bust-waist-hip measurement. I decided to go with the bust measurement as my guide, since the top slightly flares at the hemline. It’s a teensy bit big, but the style’s so forgiving that a little extra width doesn’t make a huge difference.
Alterations to the pattern: added 1″ of length to the bottom hem
Construction: I followed the pattern’s directions for the French seams, double-turned hem, keyhole facing, and thread-chain-loop closure. Tessuti has a helpful tutorial on its website for those of us who haven’t sewn a thread loop before. Sewing one reminded me of the hours I used to spend making friendship bracelets that were no doubt lost or thrown away after a week. Oh to be a fickle adolescent again.
I strayed from the directions in two places: stabilizing and binding. I couldn’t find tearaway Vilene shields (used to prevent the neckline and armholes from stretching), so I just staystitched those edges. It seemed to work fine. As for the binding, the pattern instructs you to apply the binding to the right side and then stitch in the ditch to secure. I REALLY HATE stitching in the ditch, so I took a tip from the Thornberry blog, which suggests applying the binding to the wrong side and then topstitching in place on the right side. That worked great for me! It’s the same technique used in the Colette Sorbetto top, and I once again used Colette’s trusty tutorial for making continuous bias tape.
One of my favorite things about wearing linen (blends) is that you don’t have to worry about wrinkles. It’s the one fabric where massive wrinklage is expected. (We all know wrinklage should be a word so let’s just accept it.) I’d be wary of anyone who wears linen without having it become a creased mess. There’s probably some Stepford shit going on there if that’s the case.
And that’s that! Ruby in linen gets a big thumbs up from me. Have you sewn any Tessuti patterns lately? I’d love to hear about any favorites!
When a pattern’s pretty near perfect, why stop at making it twice? This striped number is my third Tessuti Mandy Boat Tee (with a color-blocked fourth one in the works). I went the same route with this one as I did with my cream-colored french terry version, keeping 1/2″ sliced off the pattern’s side seams. I forgot to shorten the sleeves, which I might go back and do since these are just a tiny bit tight below the elbows.
The fabric is a buttery soft bamboo-lycra blend from Girl Charlee. I’m going to go ahead and say that this is the softest goddamn fabric I have ever worn. I highly recommend it if you’re looking for a striped knit with plenty of stretch.
And that’s that! Since I’ve already written about this pattern, let’s move on to one of the many projects in my queue:
The Morris Blazer! This pattern is fresh off the presses from Grainline Studio. It’s an unlined blazer designed for stretch wovens and stable knits, and I am SO EXCITED to sew this up for my spring and summer wardrobe. My mom commented that Hong Kong seams would be perfect for finishing the center back seam allowances, and I totally agree. I’m excited to test that technique on some scraps and then eventually try it with Morris.
What’s in your queue?